So very very close…

SpaceCowboysUnderTheSeaOfJapan_Booklet_300_FrontIt’s nearly time to share the fruits of our labour. The songs we have written. The music we have played. The mistakes and bum notes we’ve recorded. (Find them if you can, like a musical where’s Wally.)

Looking back its quite a mixed bag of songs. Different styles and different approaches. Different influences and different time signatures.  (Sorry. I blame Pete and his prog influence.) Lets look back at the tracks in no particular order, but starting with the first one we commuted to digitalness, Village of Dolls.

How many bass parts is there here? I’m pretty sure we all played at least one. We started writing this based on a news article Rob brought in about a village in Japan where the population had decreased so much that a resident had started to make dolls to replace the people. Simple enough ideas and abstract at the same time (I doubt it would’ve gotten Mr Cowell’s approval). I think this came together pretty quick. We didn’t come up with a structure of parts and instruments and we just chucked stuff at the mic to see what held. The result I think is a little unusual. Starts busy and full and reduces in complexity towards the end. Not a shouty loud song but one that teases you along till the end finally comes. It certainly gave us something to build upon through the coming weeks and inspired us to carry on the ‘hot pot’ approach of writing on the fly for a few tracks. A lovely start to recording Space Cowboys Under the Sea of Japan.

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2 thoughts on “So very very close…

  1. I played distorto-fretless-feedback-bass on Village of Dolls, so there’s definitely more than one bass on it. When I was arranging it the idea I had in mind was that the various instruments were the population of the village, so it starts big and full but ends empty. Last album we were a garage rock band, this time it’s conceptual art rock!

    Liked by 1 person

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